NCEA Level 3 Painting Folio: The Shaping of Identity

Terminal Updated on February 8, 2017

This beautiful surrealist NCEA Level iii Painting folio gained an Excellence (the top class available) in 2010. Information technology was completed past Bethan Powell, while studying NCEA Art at Whangaparaoa Higher, Auckland, New Zealand. NCEA Level three Painting is the New Zealand equivalent of A2 Art & Design (Painting & Related Media). Assessment methods and quantity of work required differ between the two qualifications, however the development of ideas, acquisition of skills and learning processes undertaken are the aforementioned. The NCEA Art exemples that are included on this site will thus do good A Level Art as well as students studying other high school Art qualifications.

NCEA Art Exemplar: a surrealist Painting submission exploring the theme of identity.

Comprising of iii A1 boards, Bethan'south NCEA Painting folio explores the theme of Identity – a theme used by all of the students in her class. Setting a course-wide Fine art theme is common exercise. Information technology aids the sharing of ideas between candidates and makes it easier for the teacher to collate and nowadays resources to the class. A mutual theme also gives students valuable experience at working within constraints – potentially preparing them for a creative career in which they must reply to client briefs. In this example, as with all good class-wide themes, Identity is a broad and flexible theme that has many possible interpretations, allowing students to generate original and private submissions.

Inspired past surrealist artist models, these NCEA Fine art Level 3 artwork demonstrates Bethany's competent painting skills and handling of circuitous 3 dimensional class.

Bethan'southward NCEA Level 3 Art folio explores the notion that our identities are shaped by our decisions. She begins by identifying subject matter that tin be used to limited her ideas: doors stand for life choices, highlighting different paths and directions ane tin accept; mirrors reflect our ain prototype, partially revealing who we are; and a organized religion in God (which contributes towards Bethan's identity and thus determination-making process) is represented by water: an all-encompassing, life-giving source that sustains the earth. Other symbolic items, such as clouds, give her piece of work, in her ain words, 'a more dream-like and ethereal quality'. Clouds are as well a key component of Rene Magritte's artwork – a surrealist artist who has inspired Bethan, forth with the work of other creative person models such as Salvador Dali and Sergei Aparin.

A sculptural / installation outset: a photographic investigation sets up the visual proposition for this Painting folio.

Bethan's initial photographic investigations (see above) clearly prepare out the pictorial devices explored in the subsequent piece of work: frames within frames; reflection; the dissimilarity of curved organic course with straight; repetition of parallel lines etc. Sculptural works of this nature marking a particularly clever get-go to Bethan's NCEA Painting lath and tin can be an excellent fashion to brainstorm a page, spurring unexpected and creative ideas for compositions.

With stunning attention to surface quality, this NCEA Level 3 painting glows with the warm timber hues and the greens of the ornate metal door knob.

Right from the very first A1 board of paintings and drawings, Bethan demonstrates an excellent ability to record shape, proportion and form. She composes artwork innovatively, replicating the human being figure, transparency and water with ease. The board is comprehensive, well executed and intriguing.

Bethan works primarily in acrylic, with water colour used for splatters and drips. Over the subsequent two boards, her work is developed with reference to surrealist artists, with iii-dimensional surfaces and textures integrated inside her work, painting on acrylic mirrors and gluing on old keys, hanging from cord.

In this surrealist NCEA painting, a mirror surface becomes ripples in h2o: further exploration of frames within frames and the contrast of curving and linear form. Reminiscent of the 'butterfly event', this painting reminds the states how a single action can accept far reaching consequences, with ripples fanning out from a single fingertip. With strong contrasts between calorie-free and dark, and a clear focal point to the epitome, this is a painting that commands attention.

A popular art style with both A Level Fine art and NCEA Art students, Surrealism allows candidates to stand for objects with realism, while positioning them inventive and unexpected positions. Depicting a series of doors, and a series of possible avenues, decisions and directions, this painting suggests the many avenues in which a human life can turn.

If you wish to meet more outstanding educatee artwork, you may similar to view our Featured Fine art Projects.

Amiria has been an Art & Blueprint instructor and a Curriculum Co-ordinator for seven years, responsible for the course pattern and assessment of student work in two high-achieving Auckland schools. She has a Bachelor of Architectural Studies, Bachelor of Compages (Offset Form Honours) and a Graduate Diploma of Pedagogy. Amiria is a CIE Accredited Art & Design Coursework Assessor.

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Source: https://www.studentartguide.com/featured/ncea-level-3-painting-folio

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